IN THE MOUNTAINS OF FIRE by Dolores J. Nurss
Volume VI: The Rift
Chapter 39 Futures Never Born
Wednesday, February 10,
2709 (It's still not healed.) Crashing
won't let me wake, and yet the nightmares won't let me rest. (It
still burns.) We burn. I burn.
I see I hear I feel the crackling flames! (It still bleeds.) Bloodshed surges through my dreams like a
poisonous red tide. (World into world into world...) I can't get the smell of all the wounds, all
the battlefields, out of my mind! (Do we keep it open, Zora?) I run from patient to patient, trying to
stitch shut wounds but they only grow the larger. (Do we
need to, Incense?) Then an explosion
rocks me, plunging me into still another nightmare. (Are we the disease or the
cure?) I can't remember any of it,
can't learn from any of it, because each new horror incinerates the last.
(What if we're both?) What
does Lovequest even mean? (Can the past
heal the future?) Do any of us even
know what love is anymore?(Can the
present heal the past?) Does
anything I do fix anything whatsoever? (What if healing hurts?) God damn me, I don't do any good at all! (What
still needs born?) How did I even
get into this mess? (What needs unborn?) How much more can I stand? Am I even standing it at all? (What if it's all of us?) What if I'm the reason
Kanarik and her baby died? What if
somehow, in some mysterious way, I really did shoot that bullet that transfixed
them both, a pivot between before and after upon which I teeter? Because that's where my dreams keep dragging
me, after every detour to my other sins, to where I shoot the gun, and the
bullet pierces my belly, and I beget the baby that dies within the mother, and
I myself curl up tight and trusting in a warm, red refuge that proves no refuge
after all, and then I snap back to shooting the gun, and somehow a broken cup
of tea gets in there, shards and scalding, and over and over mixed up with bits
of every battle and crime and torment I have ever witnessed or took part in,
all of these shards of dreams and memories and connections turning into sharp
bits of porcelain in a splash of tea on the floor with the blood creeping into
it, flowing red threads unfurling in the brown puddle till like the dreams you
can't separate one from another or read anything in the mess and all I want is
some rest, just some pure, sweet, peaceful goddam rest! And yet I open my eyes to a
new day. I marvel that for once I've
actually had nothing to do with this latest evil, at least, even though it
hurts as though I did. That final
glimmer of the rapidly forgotten dreams lingers in me, being everyone at once,
sharing the guilts and the shocks, sinner and victim and mourner and all of it. Except that none of that is true. I feel some measure of sanity return with the
realization. (Kneeling in slush, I throw up by the side of the road, choking
acid over and over till I have nothing left in me. So many minds, minds, minds! I have lost my strength, my dignity, I can't
keep them out anymore. They cry, laugh,
scream, mumble, all hysterical, all amplified by magentine saturation. Shakily I reel over to a fence and hold on for dear life. I am Zanne, Zanne, Zanne! I...I have to find my friends. "This one's got it bad," somebody says. Strong, gentle fingers pry my bleeding hands
from the barbed wire. Arms help me walk
to a kindly, ugly old woman, who says, "Dearie, you need a dose of medicine." "I don't need...what kind of medicine?" "Just a little something to get the poison out of your veins," she
says while cleaning my hands. "But first drink water. Drink plenty of water." Now she bandages me up, as tenderly as I've
always imagined a mother might do. "They
say it's hard on the kidneys and you've already lost a lot from vomiting. Here, dearie, drink your fill. It's boiled; it's as safe as you can get
these days." I drink thirstily, and then almost throw it up again. Instead I hold it down and take the sour
drug. Anything is better than what I've
been going through.) I eat breakfast in silence,
trying to remember or not remember my dreams, I'm not sure which, and then do
chores with everybody else, weak but ambulatory. It helps me gain perspective. I wash dishes, I sweep the rocky floor, I
take my turn at changing bandages and snipping old stitches in healing wounds
that do, after all, seem to close. (Why
did I ever think that they wouldn't?) I
welcome the tedium, without quite liking it.
I have starved for tedium these past months. And doing anything helps–better than curling
up into a ball of pain and mourning, mourning, mourning. I should never have
discouraged Kanarik from wearing beads in her hair. That inane little thought plays over and over
in my head, maybe because it's easier than the bigger thought, about the baby,
about the family life lost. I can bear
to regret something as tiny as a bead. Damien broods in a corner,
swallowing periodically from a dark bottle, and nobody interferes, perhaps
because it physically restrains him from doing worse. He couldn't look more dreadful if Sanzio
D'Arco had worked him over. After I
finish my rounds I go over and sit beside him.
I have no words for him, and don't offer any. He doesn't chase me away. After awhile, when it's
clear that I'm off duty for now, he passes the bottle over to me. I take a sip and pass it back. He takes a deep swallow, tips his head back
against the wall of rock, and says in a drink-rough voice, "I ‘member when she
los' her arm. You held me in your
lap." He looks at me blearily. "Don' worry–I don' want that now." "I figured." "Funny how much can change
in a year. I used to be a li'l
boy." He smiles lopsidedly in his
adolescent beard. "And now...or
recen'ly, very recen'ly, I was almos' a father." "You are a father,
of a murdered child, and you are a widower.
They can't take from you who you are." "She...but you knew
her. You know how she danced. You know her courage, how she could fight,
too. She could be all things,
Deirdre–fell an' fair, delicate an' hard, whate'er I needed, whene'er I needed
it. The perfec' bride for a
warrior-bard." He shakes his head. "Now I'll never sing again. I wish I could reach down my throat and tear
out my own vocal chords like the strings of th' harp in that old ballad!" He looks over at the ledge. "You know they can't keep me away from it
forever." Horror rises in me as I
grip his hand. "You have to keep going,
Damien–you're the only one who remembers all the songs and stories from your
village." He whips around to snarl,
"The bards all died!" The
contortion of his young face scalds like venom spit right in my eyes. "What a fool I've been to think that I could
keep their poetry alive!" Neither of us notice Kiril
and Lufti until they stand right in front of us, hand in hand. "We knew Kanarik, too. May we join you?" "Be my guest," Damien
growls, and offers her the bottle. But she refuses, saying,
"I'm already too scared of what the greenfire might've done." And she grips Lufti's hand so tightly that he
pales. "Life goes on, Bard. You have to keep on singing for the
living–for us and our children." And she
puts her free hand meaningfully on her belly."
At his widening eyes she nods. "I
asked Makhliya to examine me, and she confirmed it." Oh. My.
God. God help her–not in the
middle of battle, not without any way to get her to safety! And how old might she be, really? A hard life stunts so many in this land. But no–I know that she started her first
period mere months ago. Surely, in so
short an interval she couldn't have...but yes, it could happen. Or maybe she's mistaken, newly pubescent
girls are never regular–yes, she must have made a mistake. But would Makhliya? My mind scrabbles through hopes, fears, joy,
despair, amazement, outrage, I don't know what all, scattering thoughts
everywhere into an incoherent mess. Kiril gives us time to
thoroughly tangle ourselves in our emotions before she takes a step closer to
the gaping, drunken manchild beside me.
"We've still got a future, Damien.
And you have to keep on singing for it.
Maybe your songs will be the only children you beget to ever draw a
breath, you never know. But you have to
think about the rest of us! We all
belong to each other." In all of this Lufti never
says a word. I glance over at him, and
see the tears upon his face, and his arms so stiff that they shake; I don't
blame him for not speaking. After they leave, I give up
on finding words of my own, so I just hold Damien's hand, as he sips on, this
time more contemplatively. I don't know
if he's sober enough to remember later a
thing that Kiril said, or whether it will sink in deep enough to make a
difference whether he remembers it or not, I only care about right this
minute. Because he said the truth–we
can't keep him away from death, not when we march on its brink every day, in
mountains or in lowlands or bobbing on the sea. When I rise for the noon
meal, Kiril and Lufti join me. Kiril
winks. "Sorry I had to lie to him, but
he won't figure it out for months, and by then he'll have gone past dying." I choke on my food, barely holding back a laugh, dizzy with
relief (and just a trace of disappointment?)
But Lufti sobs the harder. Suddenly he shouts, "They
go out like sparks, the little stars, they fizzle before they can light any
fires, and, and, it gets so cold on Mt. Olympus that I wish I'd never learned
to read!" Then he leaps upon the table
and starts to dance, to a minor three-note chant that he hums himself, deep in
his chest. And oh, the dance wrings my
heart, the outreached arms, the hands suddenly clenching into fists as he
slowly turns away from I don't know what, the arms trembling with the clench,
pulling his fists closer by slow degrees to his heart, bending over them inch
by inch–then suddenly flinging himself wide open, head back and arms out once
more like he exploded, and then skipping around the table, his feet barely missing
the dishes, yet never a misstep though he dances with eyes closed, the tears
streaming down his cheeks. He darts like
a thing that can't escape, and then slowly clenches in again, till he folds
down all the way this time, down to his knees, to finally curl up on his side
as others reverently pull the dishes away, and he moans, "I haven't died after
all–I never got born!" "Nooo," a rough voice
groans, and we all turn in surprise to Father Man, tears of his own cutting
through his grime. "No, Lufti, this is
all madness–you mustn't say such things!"
He rises from his seat, walks over, all eyes upon him, and he doesn't
twitch or grimace, his eyes softened down from all their former wildness. He scoops Lufti up into his arms–all of the
lankiness of the boy curled up against his chest. "No, no, child, you were born indeed, and you
live–you live!" A sigh shudders through
the boy. "We all live, lad–I don't know
how or why, after all we've gone through, nor whether it's a blessing or a
curse, but it's God's will either way, and we must make the best of it." And he carries Lufti out of sight, the rest
of us staring in shock after him. I hear Cyran sigh, saying,
"He always pulls himself together for the children." No one says a word after
that for the longest time. Then hunger
takes over and people eat, and soon things seem almost normal, in a fragile
sort of way. But it doesn't last, not
for me. Makhliya comes and fetches
Kiril, saying, "Come now, it's time for your follow-up." And Kiril picks herself up from the bench,
moving carefully and somewhat drawn into herself–as she has this whole time, I
now realize. As I watch them leave,
Cyran comes over and sits beside me. "I
suppose I have to let you know, Deirdre, since you're the closest thing to a
mother that the girl will ever have, now." Somehow I already know when
I turn to him and ask, "Tell me what?" as the hair prickles on my neck. "It happens to women all
the time out here. It's a hard life, the
way of the rebel–it makes no concessions to anybody." "Tell me, Cyran."
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