IN THE MOUNTAINS OF FIRE by Dolores J. Nurss
Volume
III: Responsibility
Chapter 44 Lessons on the Art of Being Human
Tuesday, July 21, 2708,
continued I sit down on the cold
stone bench with a groan of aching limbs.
"We ask nothing warlike of you,” I tell the Don. “We have refugees who want to lay down their
arms and lead lives as normal as possible, as herders in the mountains." "The lands are
vast. The llamas had a fertile
spring. We can spare both flocks and
pasturage." "And training,
too?" "And training,
too. But Cyran has more to ask of
me." I sigh and look away. "Not much." Too much—I know that. "We need provisions—wool and leather, in
which you're rich, a lightweight bean-pot, and whatever food you can spare—which
we know isn't much, but we'll gladly take whatever we can get, and the
villagers seem willing." "Ah...the villagers do
seem willing, don't they?" He
paces, not looking at me, a breath, a thought in candlelight. "Have you seen what a sanctuary I have
created here?" "I've seen," I
say. "No caste. No prejudice.
No meritocracy." "Yet the herders hear
of far-off war and their hearts beat faster.
They have heard of us and them, and now they want us
to murder them. You bring your
soldiers marching into our midst and they remember old grievances that I
thought I'd healed for them. So now we
do have caste, and prejudice, and all the fears and angers that go with them,
and some who believe that they merit more than others." He smiles and shakes his head, staring far
off as though he can see history unfold in the heart of the rock. "Don't you see that it's exactly the
same, whether the thoughts spring up in the oppressed or the oppressor? They are not us. We must protect us from them
even if they die at our hands."
He laughs sadly at the joke of it all. "I can't dispute
anything you say—in theory," I say carefully. "But the fact is that most of the people
of the Charadoc can't retreat high into the mountains and let the ill opinions
of others pass them by. Those opinions crush. Those opinions have the power to withhold
food, to inflict pain, to blow up the holiest of sanctuaries." I shake my head and gesture futilely. "Believe me, if I could find any—any!—other
way, I wouldn't kill, either. I think I
hate them most of all for making a killer out of me." For the first time he
frowns and looks at me. "You
attribute to them entirely too much power if you think that they can make you
anything that you are not, Daughter of Cain." But then he spares me from his glance
again. "Yet you speak this much
truth—they can blow up even the holiest of sanctuaries. And they certainly will, too, if we go so far
as to supply your troops." I stare
down at my hands, defeated. Cyran only
told me to try. "So that is why we
must give you whatever you wish." "What?" "Here there is no us,
no them. But after a few years of
studying under me, my disciples go back out there and fall into old
habits. We need to make the injustice of
such distinctions apparent. The high
caste must not feel safer than the low if all are to truly recognize their
oneness. If disciples of all castes,
races, genders, and nationalities die together in this place, without raising a
hand in their own defense, then people who never noticed before will cease to
feel safe from injustice. And those who
face injustice every day will no longer feel singled out; they might even come
to love the privileged ones who stood with them. Perhaps that moment will bring the entire
nation closer to recognizing their unity." He laughs again, almost
merrily, almost bitterly. "And
why? Because an old man gave some
blankets, some boots, and a little food to cold and hungry children, who fell
on the wrong side of a political mess that should never have happened in the
first place. My death, and the death of
each of my disciples, will count for a hundred apiece of yours." I stare at him stunned,
unable to voice the gratitude so huge it almost bursts my breast, unable to
smile, even, at so horrible a beneficence.
Gently he reaches out and strokes a stray strand of hair from my
face. "Go tell Cyran that I freely
give hir everything e asks." Then
he draws a pair of llama-wool socks from a hidden pocket in his robes and
presses them into my hand. (“It’s an odd
addition to the skyline that I grew up with,”
Merrill says as we approach the tower—skyscraper, I believe it’s called,
this streamlined half-cone rising above the roofs. “but interesting, I’ll give it that. Aerodynamically shaped to withstand the
strongest winds. I hear that the
Earthian building on which they modeled it stood 606 meters tall.” “Seriously?” I look at him. “Historical
fact. The Ancients knew how to build.” I shake my head,
laughing, then rearrange the curls upon my shoulders, in that lovely, icy
blonde that most women need all kinds of nasty chemicals to attain. “When we came back from our last mission,
darling, I thought it a particularly good bit of illusionism. But it didn’t go away.” “Did you mean that
Zanne?” “Mean what?” “Calling me
darling?” He cups my chin and turns my
face towards him. “Or is it just a
fill-in word for you?” “Sometimes,” I
answer, finding myself almost breathless.
“Sometimes I mean it.”) A disciple knocks as I pull on the soft, heavenly-warm
socks. The Don opens the door, and to my
surprise brings in my pack. He hands it
to me. “Take out your flit, Deirdre,” he says to me, in a stern
voice. “Beg pardon?” “I mean it, Deirdre Keller.
Take out your flit, and do not feel shame for enjoying the talent God
gave you.” (“Do you still feel
ashamed,” I ask, as we enter the steel and glass building, “of the talents that
we gave ourselves?” His hand brushes
mine; I clasp it, wondering if this might be the last time. “I feel ashamed of what it made me do,” he
says, and his voice thickens as he adds, “most especially what it made me do to
you.” I locate the arched
way into the theater, all of its curves mosaic’d in blue and violet and
white. “Don’t be silly,” I say. “I forgave you long ago.” “Did you
really?” And I let go of his hand. “Did you ever?” “Did you ever think
that the thing that really lies between us is
that you won’t believe me?”) Hesitantly, with many glances his way, I bring out my
construction of twigs and leather, with the cross-etched square of magentine in
front. The Don smiles appreciatively and
runs his fingers over the makeshift thing.
“This is amazing!” he exclaims. "I've never seen a design quite like this before. You strap it on directly? You made
this?” I nod, reluctantly. “Don’t you believe me?
This is wonderful! You are wonderful! Why hold back from who you are?” “Because,” I answer, “Not all of my talents come from
God.” Then I blush and turn my face
away. “There are things that I can't tell
you, Don.” He lays down the flit and turns to me, smiling sadly. “No?
Then you are a prisoner indeed.” I shrug. “Luck of
the draw, I guess.” “No, no, sweet child!
No. We don’t live in a world without
options. We can always choose. Luck can't stand up to determination.” (The owner of the
theater greets us personally. His brown
skin reminds me of Deirdre, only sallow.
His hawkish nose reminds me of her father. But his oily manner doesn’t resemble her at all. “Come in! Come in!” he urges. “We have saved the Lucky Seats for you!” “Lucky Seats?” I
ask, as he leads us up the dark stair to the balcony. “Indeed,
indeed! Over here, stage left—to the
right you would say, of course. Many
people covet these, the Lucky Seats.
They say that sitting in them leads to answers to their questions.” I shrug and sit
down on the velvet. Sumptuous—as good
fortune ought to be. We could use that
sort of luck. We have an important
decision to make. “Regarding your desire
to split our bank account,” says Merrill, “of course I agree that it would be
for the best right now. But I will still
pay for your ticket to Darvinia...if that is what you want.”) “Put aside all important decisions, dear one, just for now,
just for the blessed moment. Strap on
your flit and come with me.” Startled, I
comply. |
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